Megan Stein - Tending
Feb.
2
11:30 a.m.11:30

Megan Stein - Tending

  • Concordia University, Centre for Expanded Poetics (map)
  • Google Calendar ICS

Please join us for a presentation of CEP Affiliate Megan Stein’s MFA Graduating Thesis, titled Tending, showcasing book works, stone lithography, letterpress / moveable type, handmade paper, screen printing, and soundscapes of field recordings and words translated as tone.

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Book Launch, Rationalist Empiricism: A Theory of Speculative Critique
Apr.
22
5:00 p.m.17:00

Book Launch, Rationalist Empiricism: A Theory of Speculative Critique

Please join us for a book launch to celebrate the publication of CEP Director Nathan Brown’s Rationalist Empiricism: A Theory of Speculative Critique (Fordham University Press, 2021). The event will be hosted by Professor Stephen Ross, with a lecture by Nathan Brown and questions from respondent Professor Manish Sharma, followed by a general Q&A.

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Amanda Holmes - Lacan's Graph of Desire - Two Lectures
Feb.
13
12:00 p.m.12:00

Amanda Holmes - Lacan's Graph of Desire - Two Lectures

  • Centre for Expanded Poetics, LB 681 (map)
  • Google Calendar ICS

Join us at the Centre for Expanded Poetics for a workshop with Amanda Holmes on Lacan’s Graph of Desire. The workshop will consist of two talks, each followed by discussion. The first talk with situate the graph in its intellectual-historical context, in relation to both Freud’s psychoanalytic topology and French structuralism. The second talk will work through the graph step-by-step, elaborating the elements and relationships it maps.

Amanda Holmes is a Doctoral student in the Philosophy Department at Villanova University. Her work is situated at the intersection of ontology and psychoanalysis. She is currently living in Vienna, Austria and writing her dissertation, which is titled "Erotology: Desire and Being in Lacan's Return to Freud."

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John Casey - Making Sense of Early Modern Color and Color Terms
Nov.
21
2:00 p.m.14:00

John Casey - Making Sense of Early Modern Color and Color Terms

Pink is a Kind of Yellow:
Making Sense of Early Modern Color and Color Terms

Ideas about what color  is  and what color terms  mean  developed along diverging paths during the seventeenth century. As natural philosophers became increasingly committed to the notion that colors were mere “Phantasms” of the senses divorced from the material world, lexicographers became increasingly committed to the notion that color terms were stable, rigid words that could be defined by reference to the material world. We encounter, then, a curious situation where Milton’s mention of “the uncolored sky” and Phillips’ gloss of “Azure” as “a sky-color” both, in a manner of speaking, say something true. What, though, are we to make of colored abstractions in poetry like “a green thought”? Or sumptuary laws that involve colors like “Carnation” vaguely defined as “flesh color”? Or seemingly erroneous descriptions of natural objects like “onyx” which (we are told) is “a whyte stone, lyke to a mannes nayl”? Making sense of early modern color and color terms prompts us to ask how historical sociolinguistics inform and are informed by historical ontologies. More broadly, the problem of reconciling the seeming disjunct between how early modern color and color terms were understood forces us to ask whether semantic claims can, should, or must be squared with metaphysical ones.

John Casey recently received a PhD from the Department of English at Brown. His work has appeared (or is forthcoming) in Early Modern Culture and ARCADE.

Listen to the talk here:

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Anthony Reed - Two talks on Free Jazz Poetics
Oct.
24
to Oct. 25

Anthony Reed - Two talks on Free Jazz Poetics

  • Concordia University, Centre for Expanded Poetics (map)
  • Google Calendar ICS

Join us for two talks by Anthony Reed, Associate Professor of English at Vanderbilt University.

October 24, 6-8pm - Voice Prints: Toward a Black Media Concept in Archie Shepp’s Phonographic Poetry
October 25, 12-2pm - Body/Language: Cecil Taylor’s Poetics and Semiotics of Black Embodiment

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Lisa Samuels - Transplace Poetics
Sep.
10
12:00 p.m.12:00

Lisa Samuels - Transplace Poetics

In this talk-performance Lisa Samuels will present theory and creative work that emerge in transplace epistemologies and poetics. Her 2018 essay “The right to be transplace,” in the anthology Wretched Strangers, explores transnational and peripatetic existence as place. In this seminar for Concordia, theories that arise partly in transplacement – including “wild dialectics” and “distributed centrality” – will be held in relation to readings from recent creative work that can attach to transplace poetics, including from her new poetry & photos book The Long White Cloud of Unknowing (Chax Press 2019).

Lisa Samuels is a transnational poet who also works with sound, film, and art installations. She is the author of seventeen books of poetry, memoir, and prose—mostly poetry—including Tender Girl (2015), Symphony for Human Transport (2017), Foreign Native (2018), and The Long White Cloud of Unknowing (2019). She also publishes critical essays and edited work on creative theory and poetics. Since 2006 Lisa has lived in Aotearoa/New Zealand, where she is Professor of English & Drama at the University of Auckland.

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FORM
Jun.
18
to Jun. 22

FORM

  • Inter-University Centre, Dubrovnik (map)
  • Google Calendar ICS

A five-day symposium convened by Mama Multimedia Institute and the Centre for Expanded Poetics in Dubrovnik, Croatia

SPEAKERS
Pearl Brilmyer ● Nathan Brown ● Emily Ruth Capper ● Ronjaunee Chatterjee ● David Cunningham ● Greg Ellermann ● Michael Gallope ● Amanda Holmes ● Ante Jeric ● Alexi Kukuljevic ● Naomi Levine ● Jamila M.H. Mascat ● Petar Milat ● Julie Beth Napolin ● Marty Rayburn

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